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Apartment 7A is a prequel to Rosemary’s Baby, and yet also a film that could only be of interest to those who’ve never seen its Oscar-winning predecessor.
Knowing the events of Roman Polanski’s 1968 horror classic is enough to murder any potential suspense generated by director Natalie Erika James’ dud, whose story once again concerns a young woman who moves into New York City’s Bramford apartment building and befriends an older couple whose kindness is laced with venom and whose allegiance is to the Dark Lord. What ensues is the exact same thing that happened to Mia Farrow’s wife, except minus the creepy surprise and, thus, any reason to pay attention.
It's difficult to imagine what might have possessed James or star Julia Garner to embark on this unimaginative rehash, but they at least add a bit of polish and professionalism to these pointless proceedings, which pirouette around Terry Gionoffrio (Garner), who was depicted in Rosemary’s Baby as a recovering drug addict who commits suicide by leaping out a Bramford window.
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