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One would be forgiven for wondering what world Jerry Seinfeld is living in where the “extreme left,” as he claimed in a recent interview with The New Yorker, has purged American television of good comedy. For all the left’s mighty powers, it couldn’t quite manage to halt production of biting network comedies like Abbott Elementary, Superstore, Crazy Ex-Girlfriend, or The Good Place. Nor did it manage to stave off dark, even transgressive cable fare like It’s Always Sunny in Philadelphia, The Righteous Gemstones, Atlanta, or PEN15.
The Democratic Socialists of America certainly didn’t stop Seinfeld’s erstwhile collaborators, Julia Louis-Dreyfus and Larry David, from making Veep and Curb Your Enthusiasm, respectively, the latter of which just ended a critically acclaimed final season.
And as Seinfeld himself acknowledged, the left’s path of destruction has yet to temper the spread of deliberately offensive stand-up comedy, a field that includes many proud right-wingers who consider it their business to make comedy racist, sexist, and transphobic again. So what, exactly, is the creator and star of one of the greatest sitcoms of all time complaining about?
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