Arts & Entertainment
The Met’s ‘Orfeo ed Euridice’ makes for a very welcoming underworld
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At the Met, star countertenor Anthony Roth Costanzo and soprano Ling Fang star in an enchanting presentation of Gluck’s masterful setting of the Orpheus myth
In ‘Furiosa,’ Chris Hemsworth steals the spotlight
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Though “Furiosa: A Mad Max Saga” is named after the female character played by Anya Taylor-Joy, Chris Hemsworth’s Warlord Dementus arguably has the best part.
In Berlin, a painter of angst and isolation draws crowds for his 250th
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Caspar David Friedrich was the soul of German romanticism, and nationalism. He’s still wildly popular.
Billie Eilish shows us what she was made for
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Billie Eilish’s new album ‘Hit Me Hard and Soft’ sounds bold and scrupulous, depicting life after ‘Barbie’ in granular detail.
‘Megalopolis’ is about U.S. heading in ‘fascist’ direction, Coppola says
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Director Francis Ford Coppola said at a Cannes news conference that he wasn’t thinking about Donald Trump per se, but “Megalopolis” certainly has MAGA parallels.
Tell The Post: Vote for your favorite D.C.-area dive bar
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Hundreds of readers told us about their favorite local dive bars. Now it’s time to pick from 12 finalists.
In the galleries: Defining our roots as a pathway to introspection
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Artists explore the various meanings of roots as family and identity, several shows explore computer modeling and 3D printing to simulate and contour space.
Why the makers of ‘Back to Black’ think we need an Amy Winehouse biopic
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Director Sam Taylor-Johnson and star Marisa Abela say the goal of “Back to Black” was a portrait of Winehouse that feels like “an embodiment of someone’s soul.”
‘I Saw the TV Glow’ presents nostalgia as a mesmerizing trap
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Two misfit teens bond over their love for a cult 1990s show in Jane Schoenbrun’s assured allegory “I Saw the TV Glow.”
‘Babes’ gives moms their own gross-out comedy
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Ilana Glazer and Michelle Buteau play BFFs engaged in the messiness of female friendship.
Why are rock biopics so hard to get right?
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In the case of rock and pop stars, it’s so easy to view clips of the real thing that a film has to give you something beyond what you can find on YouTube.