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Arts & Entertainment
The Met’s ‘Orfeo ed Euridice’ makes for a very welcoming underworld
At the Met, star countertenor Anthony Roth Costanzo and soprano Ling Fang star in an enchanting presentation of Gluck’s masterful setting of the Orpheus myth
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In ‘Furiosa,’ Chris Hemsworth steals the spotlight
Though “Furiosa: A Mad Max Saga” is named after the female character played by Anya Taylor-Joy, Chris Hemsworth’s Warlord Dementus arguably has the best part.
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In Berlin, a painter of angst and isolation draws crowds for his 250th
Caspar David Friedrich was the soul of German romanticism, and nationalism. He’s still wildly popular.
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Billie Eilish shows us what she was made for
Billie Eilish’s new album ‘Hit Me Hard and Soft’ sounds bold and scrupulous, depicting life after ‘Barbie’ in granular detail.
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‘Megalopolis’ is about U.S. heading in ‘fascist’ direction, Coppola says
Director Francis Ford Coppola said at a Cannes news conference that he wasn’t thinking about Donald Trump per se, but “Megalopolis” certainly has MAGA parallels.
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Tell The Post: Vote for your favorite D.C.-area dive bar
Hundreds of readers told us about their favorite local dive bars. Now it’s time to pick from 12 finalists.
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In the galleries: Defining our roots as a pathway to introspection
Artists explore the various meanings of roots as family and identity, several shows explore computer modeling and 3D printing to simulate and contour space.
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Why the makers of ‘Back to Black’ think we need an Amy Winehouse biopic
Director Sam Taylor-Johnson and star Marisa Abela say the goal of “Back to Black” was a portrait of Winehouse that feels like “an embodiment of someone’s soul.”
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‘I Saw the TV Glow’ presents nostalgia as a mesmerizing trap
Two misfit teens bond over their love for a cult 1990s show in Jane Schoenbrun’s assured allegory “I Saw the TV Glow.”
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‘Babes’ gives moms their own gross-out comedy
Ilana Glazer and Michelle Buteau play BFFs engaged in the messiness of female friendship.
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Why are rock biopics so hard to get right?
In the case of rock and pop stars, it’s so easy to view clips of the real thing that a film has to give you something beyond what you can find on YouTube.
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Coppola’s ‘Megalopolis’ sparks Cannes frenzy and furious debate
“Megalopolis,” director Francis Ford Coppola’s self-funded, decades-in-the-making $120M movie, divided Cannes: “Complete nonsense” vs. “an awesome experience.”
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The 34 best things to do in D.C. this weekend and next week
Celebrate Asian American and Pacific Islander Heritage Month with street festivals, or tour Loudoun farms and Dupont Circle museums.
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