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The Rise of the MAGA VC

The venture capitalist Shaun Maguire is a particularly prolific poster. And lately, his takes have become almost unavoidable.

Maguire manages Sequoia Capital’s stake in Elon Musk’s various companies, including the social network formerly known as Twitter, and he regularly amplifies and excuses Musk’s extreme political opinions. He’s also fond of sharing his own. Over the weekend, he posted a theory that “antifa” is committing mass voter fraud by having ballots sent by the hundreds to vacant houses; Musk signal-boosted Maguire’s concern with the message “Anyone else seeing this sort of thing?” Last week, Maguire advanced the perspective that “DEI was the most effective KGB opp of all time.” To his more than 150,000 followers, the VC has made it clear that he is “prepared to lose friends” over his choice to spit out the metaphorical Kool-Aid that caused him to vote for Hillary Clinton in 2016.

On X, Maguire shows up in the feed alongside other prominent VCs who support Donald Trump—among them, David Sacks of Craft Ventures and Keith Rabois of Khosla Ventures. They all express similar opinions in similar ways, and they do so more or less constantly. (Maguire, who did not respond to a request for an interview, posted to X dozens of times this past Saturday alone.) This is an example of, as Paul Krugman recently noted, the “tech bro style in American politics.” It is largely defined by a flat, good-versus-evil worldview. The good? Free speech, which Democrats want to eradicate. The evil? Immigration, which is a plot by Democrats to allow violent criminals into the country and steal the election. San Francisco? A once-great American city purposefully ruined by Democrats. Kamala Harris? Sleepwalking into World War III. Trump? According to Musk, he is “far from being a threat to democracy”—actually, voting for him is “the only way to save it!”

A “vibe shift” is under way in Silicon Valley, Michael Gibson, a VC and former vice president of grants at the Thiel Foundation, told me. Eight years ago, the notorious entrepreneur Peter Thiel was the odd man out when he announced his support for Trump. The rest of the Valley appeared to have been horrified by the candidate—particularly by his draconian and racist views on immigration, on which the tech industry relies. This year, J. D. Vance, a Thiel acolyte and former VC himself, is Trump’s running mate. Marc Andreessen and Ben Horowitz, co-founders of the legendary VC firm Andreessen Horowitz, came out in full support of Trump in a podcast episode released just before Joe Biden dropped out of the election. (Last Friday, Axios reported that Horowitz informed Andreessen Horowitz staff members that he and his wife, Felicia, will donate to support Harris “as a result of our friendship” with the candidate. “The Biden Administration,” his note continues, “has been exceptionally destructive on tech policy across the industry, but especially as it relates to Crypto/Blockchain and AI,” mirroring language from the podcast during which he and Andreessen endorsed Trump.)

[Read: Silicon Valley got their guy]

It’s doubtful that the thoughts of these prominent VCs reflect a broader change in the electorate—tech workers generally support Harris, and barring an unbelievable upset, California will go blue on November 5, as it has for decades. (Though as my colleague Adrienne LaFrance has pointed out, Trump’s vote share in Silicon Valley was 23 percent in 2020—small, but higher than the 20 percent he received in 2016.) And many well-known VCs back Harris, including Rabois’ colleague and Khosla Ventures’ namesake, Vinod Khosla, along with Mark Cuban and the LinkedIn co-founder Reid Hoffman. This time around, Thiel has not thrown his weight behind Trump but has instead indicated that he would choose him over Harris if there were a gun to his head.

But it is nonetheless significant that a number of influential—and very rich—men are eager to go against the grain. Silicon Valley has historically prided itself on technological supremacy and a belief in social progress: Now many of its loudest and most well-resourced personalities support a candidate who espouses retrograde views across practically every measure of societal progress imaginable. “We are talking about a few people, but I think this also reflects the political economy of the Valley right now,” Margaret O’Mara, an American-history professor at the University of Washington and the author of The Code: Silicon Valley and the Remaking of America, told me. “There’s a great deal of money and power and influence concentrated in the hands of a very few people, including these people who are extremely online and have become extremely vocal in support of Trump.” (Sequoia Capital and Andreessen Horowitz did not respond to requests for comment for this article.)

If Trump wins, there is a nonzero chance that he would give some of these people major roles in his second administration—Musk is already lobbying for one, with apparent success. If Trump loses, the Harris administration will have highly visible and vehement critics to whom a lot of people listen. Silicon Valley’s main characters are entering the culture war and bringing their enormous fan bases with them.

To some extent, this is just business as usual. O’Mara noted that although the tech industry used to claim to be apolitical, it has always had its fair share of lobbyists in Washington, D.C., like every other industry. More than anything else, the industry’s interests have simply followed the money. In the 1980s, President Ronald Reagan supported defense spending and big contracts with the California tech companies. The result was that “Silicon Valley leaned Republican,” she said. “Silicon Valley started leaning Democratic in the Clinton years, when Clinton and Gore were big proponents of the internet and the growth of the internet industries.”

Now many of these venture capitalists are holding on to huge bets on cryptocurrency. They fear—or enjoy suggesting—that Harris is plotting to destroy the industry entirely, a perception she’s trying to combat. Some of them have circulated an unsourced rumor that she would appoint to her Cabinet Gary Gensler, who has pursued strict regulations against the crypto industry as chair of the Securities and Exchange Commission. (Meanwhile, Trump has promised to save the crypto industry from “living in hell.”) Many in the tech industry worry about Harris’s plans to raise the top capital-gains tax rate. And her support for taxing centimillionaires’ unrealized investment gains has been particularly unpopular. Gibson argued that it would destroy the VC industry completely: “We would see the innovation economy come to a halt.” Even Harris’s supporters in the tech world have pressured the campaign not to pursue the tax; “There’s optimism that this can’t possibly be real,” Aaron Levie, the CEO of Box, told The New York Times in August.

Also at issue is the labor movement. The tech industry came up during an era of lower regulation and declining union power, O’Mara pointed out. Nonunionized workforces have been essential to many of these companies’ business models, and collective action used to be more rare in their perk-filled offices. Yet during and after the pandemic, contractors and employees of major tech companies expressed dissatisfaction en masse: They wanted more diversity in the workforce, fairer treatment, and protection from the layoffs sweeping the industry. Some of them unionized. The companies faced, as O’Mara put it, “discontent among a group of people who had never been discontented.” The new labor movement has clearly rankled prominent tech figures, Musk among them. He is challenging the nearly century-old legislation behind the National Labor Relations Board, with the goal of having it declared unconstitutional.

[Read: Palo Alto’s first tech giant was a horse farm]

But business doesn’t explain everything. The American public’s attitude toward the tech industry has curdled since 2016, in large part because of critical reporting—about labor abuses, privacy problems, manipulative algorithms, and the bizarre and upsetting experiences one might have on social platforms at any given time. When I spoke with Gibson, he suggested that declining revenue in the digital-media business may have created some “rivalrous envy” on the part of journalists. (And it’s true that the media industry can and does cite the whims of tech platforms as a source of its financial problems.) “We are being lied to,” Andreessen wrote in his widely read and rueful Techno-Optimist Manifesto last year. “We are told to be angry, bitter, and resentful about technology.” This, he suggested, was not just wrongheaded but harmful. Andreessen Horowitz, at one point, launched a media publication with the stated mission of publishing writing that was “unapologetically pro-tech.”

Meanwhile, the federal government has pursued antitrust action and bipartisan efforts to regulate social media, while state governments have won huge settlements for workers. This has been a major shock: Silicon Valley was celebrated by previous Democratic administrations and was particularly welcome in both the Obama campaign and White House. Now some tech leaders are being treated like villains—which seems to have led some of them to embrace the label. “These are some of the wealthiest and most powerful people in the country, and they are presenting themselves, in a way, like Trump is,” O’Mara observed. They’re positioning themselves in public based on their grievances and their feeling that they’ve been unjustly targeted and maybe even embarrassingly spurned.

Venture capitalists are public figures in a way they didn’t used to be. Many of them were famous founders first, and they have their own brands to maintain. “It’s part of the job to promote yourself,” Lee Edwards, a general partner at Root Ventures, told me. “I think you get in the habit of just tweeting your thoughts.”

That might have hurt business not too long ago. In 2016, when Thiel endorsed Trump, Gibson had to worry about losing seats at dinners or speaking slots at events. That’s not the case now, he told me. He pointed to Mark Zuckerberg’s recent efforts to distance himself from Democrats. Although he has had a terrible relationship with Trump in the past—one that reached its nadir when the former president was temporarily banned from Facebook over the inflammatory comments he made during the riot at the Capitol on January 6, 2021—he has made tentative overtures to the candidate recently. The two have reportedly spoken one-on-one a couple of times this year, and Zuckerberg complimented Trump on his “bad ass” reaction (a fist pump) after the assassination attempt in Butler, Pennsylvania. Zuckerberg hasn’t said how he’ll vote, but it’s a sign of change that he would talk about Trump in these terms at all. “The chill in the air has warmed up,” Gibson said.

When I spoke with Kathryn Olmsted, a historian at UC Davis and the author of Right Out of California: The 1930s and the Big Business Roots of Modern Conservatism, she said she’d be interested to hear whether this turned out to be a California story or “a very rich-person” story that happened to be taking place in California. Maybe it wasn’t so much about Silicon Valley or the tech industry as it was about billionaires. From another perspective, it could be a really rich-person story taking place on a social-media platform owned by one of those really rich people. And those people, despite their increasing public vociferousness, might actually be cloistered in their own world—isolated and deluded enough to believe that migrants are somehow a threat to their livelihood and that radical leftists are really going to steal the election.

“What I’m seeing from VCs around the country is different from what I’m seeing amongst the Twitter VCs,” Candice Matthews Brackeen, of Lightship Capital, told me. “Some of us live … off of there.” Others I spoke with pointed to an effort called VCs for Kamala, a loose organization with hundreds of signatories on a letter supporting Harris’s candidacy. That group was organized by Leslie Feinzaig, a venture capitalist and registered independent who says she has never before made a political donation.

The recent media coverage of Silicon Valley “was creating the impression that the entire industry, that all of venture capital, was going MAGA,” Feinzaig told me. “In my conversations, that was just not the case.” She wanted someone to step up and say that a lot of VCs were supporting Harris and that it wasn’t because they were on the far left. Many of them were registered Republicans, even. They simply had different priorities from the rich, angry guys posting on X. “I’m at the beginning of my career,” she said. “A lot of these guys are at the pinnacle of theirs.” She couldn’t say exactly what had happened to them. “There’s a cynicism at that point that I just don’t share.”


Read full article on: theatlantic.com
Trump Breaks Down Onstage
Is Donald Trump well enough to serve as president?The question is not temperamental or philosophical fitness—he’s made clear long ago that the answer to both is no—but something more fundamental.The election is in three weeks and Pennsylvania is a must-win state for both candidates, but during a rally in Montgomery County, northwest of Philadelphia, last night, Trump got bored with the event, billed as a town hall, and just played music for almost 40 minutes, scowling, smirking, and swaying onstage. Trump is no stranger to surreal moments, yet this was still one of the oddest of his political career.“You’re the one who fights for them,” gushed Kristi Noem, the South Dakota governor and animal-abuse enthusiast, who was supposed to be moderating the event. But it soon became clear that Trump wasn’t in a fighting mode. The event began normally enough, at least by Trump standards, but, after two interruptions for apparent medical emergencies in the audience, Trump lost interest. “Let’s just listen to music. Who the hell wants to hear questions?” he said.[David A. Graham: Has anyone noticed that Trump is really old?]He eventually pivoted for good to a playlist of his favorite songs: “Hallelujah,” “Rich Men North of Richmond,” “Nothing Compares 2 U,” Elvis’s rendition of “Dixie.” At one point, he asked his staff to play Pavarotti and display the immigration chart that he was about to discuss when an assassin tried to kill him this summer.To watch the event is to see signs of someone having a breakdown. Like Joe Biden’s disastrous debate against Trump in June, when the president’s fumbling performance and struggle to get sentences out made it impossible to believe he was up to the task of serving for four years, Trump’s rally last night would force any reasonable person to conclude that he is not up to the grueling task of leading the world’s greatest nation, handling economic crises, or dealing with foreign adversaries.Which isn’t to say that some people didn’t try to reason through it. Reporters still seem unsure how to deal with Trump’s stranger behaviors. Journalists are trained to take information and make sense of it, even amid chaos. The problem is that doing so conjures logic where none exists.Here’s how The New York Times described the night: “Mr. Trump, a political candidate known for improvisational departures, made a detour. Rather than try to restart the political program, he seemed to decide in the moment that it would be more enjoyable for all concerned—and, it appeared, for himself—to just listen to music instead.” ABC News: “Former President Donald Trump's town hall in Oaks, Pennsylvania, on Monday evening was interrupted twice by medical emergencies in a very warm Greater Philadelphia Expo Center and Fairgrounds before he cut the program short.” NBC News: “Former President Donald Trump turned a town hall event in front of supporters in Oaks, Pennsylvania into an impromptu listening party Monday night, playing an unlikely selection of tunes for more than 30 minutes after the event was paused for medical emergencies.” The Associated Press: “Donald Trump’s town hall in the Philadelphia suburbs turned into an impromptu concert Monday after the former president was twice interrupted by medical emergencies in the room.”Trump’s Democratic opponent, Kamala Harris, was blunter. “Hope he's okay,” she posted on X. Her reaction is self-interested, but she’s right that he really may not be okay. A presidential race is exhausting for even a young and vigorous person, which Trump, 78, is not. He has campaigned far less this time around than he did in his past two runs. In the last few weeks, as the election has neared, he has ramped up his time on the trail, and the wear is showing. His rallies have been so scattershot and rambling that even major outlets that long shied away from questions about Trump’s fitness have had no choice but to address them. In the wee hours of the morning yesterday, he used Truth Social to demand that Harris take a cognitive test. He’s lacing into his own donors at private events. He has been blocked from his usual outlet of playing golf because of security concerns after two assassination attempts.[David A. Graham: Trump’s West Point stumbles aren’t the problem]Reporters have noticed Trump’s supporters leaving rallies early in recent weeks, yet many people hung around as Trump bobbed on the stage and said nothing last night. In a way, the moment seemed to distill a 2024 Trump rally down to its essence. No one is there to hear policy ideas. Trump has transgressed so far, for so long, that he can barely shock anymore. Kristi Noem isn’t a big draw. Instead, people come to say they saw Trump. At one point, he announced that he’d play “YMCA” and then the event would end, but attendees stayed, so Trump just kept rolling. The event only wrapped up around the time that an aide brought Trump a note during “November Rain.”As horrifying as it all was, no one expects to see a reaction like the concerted push for change that followed Biden’s debate collapse. It’s too late in the campaign to change candidates, and it wouldn’t matter anyway. Democrats forced Biden out, even though they like him, because they want to win. But Republican officeholders are terrified of Trump, because rank-and-file Republican voters worship Trump in an entirely different way—something demonstrated by them hanging around for his DJ set and Noem’s obsequious “sir”s all night. “Total lovefest at the PA townhall!” campaign spokesman Steven Cheung posted on X. “Everyone was so excited they were fainting so @realDonaldTrump turned to music. Nobody wanted to leave and wanted to hear more songs from the famous DJT Spotify playlist!” Somewhere, Baghdad Bob was blushing.But Trump’s musical selections sometimes reveal more than his words or his aides do. During the 2016 campaign, his choice of “You Can’t Always Get What You Want” as exit music seemed like a pointed message to his political adversaries and the nation. Last night, he might have been sending a pointed message to himself, with the help of an Andrea Bocelli and Sarah Brightman hit: “It’s time to say goodbye.”
theatlantic.com
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The Transparent Cruelties of Diddy’s Entertainment Machine
For decades, the hip-hop mogul Sean “Diddy” Combs has been one of the most influential men in the music industry. Last November, the singer Cassie Ventura, Combs’s former partner, filed a staggering 35-page lawsuit accusing the rapper of raping, drugging, and physically abusing her over the course of a decade. He and Ventura settled the suit out of court just one day later, with Combs not admitting to any wrongdoing. Six months later, after CNN published a graphic hotel-surveillance video that shows Combs assaulting Ventura in 2016, he claimed “full responsibility.”In the weeks after Ventura’s accusations came out, several other women filed lawsuits accusing Combs of sexual assault, which he categorically denied. And in September, the singer Dawn Richard, a former member of two musical groups started by Combs, filed a 55-page lawsuit accusing him of sexually assaulting her, depriving her and her fellow Danity Kane bandmates of basic needs while requiring them to remain under his watch, and routinely refusing to pay his artists wages or royalties. (In a statement responding to the lawsuit, one of Combs’s lawyers said Richard had “manufactured a series of false claims all in the hopes of trying to get a payday.”) Last month, Combs was indicted and arrested on federal charges that include sex trafficking, forced labor, kidnapping, and racketeering. Combs, who pleaded not guilty to all the charges, is now detained in New York City after being denied bail twice.Central to Richard’s lawsuit is Combs’s alleged behavior during Making the Band, the competition series that he produced and hosted from 2002 to 2009. The MTV series attracted millions of viewers during its run; Richard’s lawsuit references numerous incidents that were filmed for the show, and included in the final product. Along with Ventura’s allegations, the suit prompts a broader reassessment of Combs’s cultural power—and pushes audiences to reconsider the hostile behavior that he often willingly broadcast to the public.Though the worst of Richard’s allegations about Combs’s behavior were not depicted on Making the Band, the series did help lay the groundwork for many of the invasive, burdensome expectations of the modern music industry. Today’s young artists readily anticipate that their fans—and, more pressing, their record labels—want them to entertain the masses with their lives, not just their music. However benign a viral TikTok trend may seem now, Making the Band was an early experiment in training audiences to enjoy watching just how much control record labels wield over vulnerable musicians. The series laundered Combs’s open hostility toward a group of young women he was responsible for as an eccentric style of artist management—and his label, Bad Boy Records, profited from viewers’ interest in his abrasive displays of authority.By 2005, when Richard joined Making the Band 3, Combs had already formed (and disbanded) a coed group that featured in an earlier iteration of the show. During the first run, Combs subjected contestants to outlandish, demoralizing tasks that had nothing to do with making music. One, which was later parodied in a famous Chappelle’s Show skit, required the artists to walk more than five miles to fetch him cheesecake from a Brooklyn restaurant. “Honestly, my feet felt broken and my knees felt like all the cartilage was gone,” one former band member told Essence in 2017. When they returned to the Midtown Manhattan studio to find that Combs had left, she said, “I wanted to cry.”With Making the Band 3, Combs attempted, for the first time on the show, to create an all-female group—and his ruthless approach to artist development seemed to take a darker turn. Richard’s suit contends that the show’s environment enabled Combs to maintain alarming control over the young women, and that a TV-friendly version of his cruelty was projected to millions of viewers. One accusation is that Combs routinely made “disparaging gender-based remarks such as calling them ‘fat,’ ‘ugly,’ ‘bitches,’ and ‘hoes’” throughout filming and after the group was formed. Revisiting the show and how Combs promoted it at the time, I’m struck by just how often Combs tossed around similar language. Even when he used less objectionable words, he nonetheless conveyed the message that the women were not his equals. “I don’t think no human being has been able to just figure out the woman,” he told the Associated Press ahead of a season premiere, adding that he anticipated great TV because the female competitors would all need to deal with “having their monthly cycle coming together, and emotions and moodiness and competitiveness.”[Read: The cruel social experiment of reality tv]Making the Band 3 spent an inordinate amount of time focusing on the young women’s bodies, and how Combs saw them. He treated the contestants’ physical presentation as alternately a disqualifying embarrassment, a reflection of his own star-making prowess, or an invitation to leer. The very first time Richard appears on-screen, during a group audition, Combs points to her as though he’s eyeing a romantic interest. “With the jeans on—she’s exceptional,” he says. After every stage of the selection process for the girl group, which ended up being called Danity Kane, Combs attempted to police how the women looked. For example, once the contestants made it past auditions and into a smaller cohort, the remaining contenders were constantly corralled into the gym, having food taken away from them, and belittled for not having six-pack abs. (It’s notable that not even five minutes into the first episode, one young woman swears, “I’ll work out ’til I kill myself.”)Even after the final group was chosen, Richard alleges, Combs continued to exert authority over the musicians’ bodies. When she or “her Danity Kane bandmates requested meals or rest, Mr. Combs refused and chastised them with derogatory comments like ‘you bitches don’t want this’ or ‘y’all are not hungry enough’ or ‘I’m paying you bitches to work,’” the lawsuit claims. Although some of his belittling comments made it onto the air, Combs’s casual delivery belied the apparent severity of his off-camera control over the women’s basic needs: Richard alleges that Combs often sent his associates to wake the Danity Kane members in the middle of the night so that he could watch them rehearse; the studio sessions sometimes went on for three to four days, during which the singers felt forced to choose between eating and sleeping.Part of why Combs’s televised mistreatment of Making the Band contestants didn’t draw much mainstream pushback at the time is that he was hardly alone in his valorization of hard work—and he was adept at reframing workplace abuse through the language of artistic self-sacrifice, often by referencing his own career. “It’s a blessing to be in the recording industry … but there’s a lot of misconceptions,” he says at one point. “A lot of times when people get into this, they don’t realize how hard they’re gonna have to work to achieve the goal.” As Combs’s business empire expanded in the new millennium, he presented himself as the bootstraps exemplar—a poor Black boy from Harlem who’d hustled his way into becoming a multimillionaire. (In a statement issued after his arrest, Combs’s lawyers leaned on some of these tropes, defending their client as “a music icon, self-made entrepreneur, loving family man and proven philanthropist who has spent the last 30 years building an empire, adoring his children and working to uplift the Black community.”)On Making the Band 3, Combs sometimes praised the contestants’ vocal abilities—but more often, he reminded them that any natural artistic inclination mattered far less than a Sisyphean work ethic. By creating a false dichotomy between talent and dedication, Combs justified the show’s grueling demands of contestants, his role as their kingmaker, and his explosive anger when the women failed to meet his expectations. Combs appeared to relish the opportunity to degrade the women, often criticizing them in front of one another and then pausing to let the harsh words sink in for the whole group. “Some of you are gon’ be broken on your own; some of you are gon’ step up to a challenge and shine,” he warned them after showing up unannounced in their dormlike living quarters one night.[Read: What did hip-hop do to women’s minds?]Making the Band purportedly offered the young women a clear, albeit grueling, path to stardom. But in practice, the show seemed to prioritize providing Combs access to them: In his host commentary, Combs gleefully remarked on the fact that he had “19 girls under one roof!” In hindsight, his blithe delivery accentuated his seeming confidence that neither MTV executives nor the show’s audience would raise significant concerns about his televised mistreatment of the young musicians. During the show’s run, Combs’s on-screen cruelty was all but unremarkable: Hip-hop, and the music industry more broadly, has a long history of devaluing women as expendable sex objects. Women who raise objections to alleged abusive conditions have often been met with indifference, skepticism, or outright hostility, including being shut out from work. When Combs equated the breaches of his artists’ autonomy with the pressures of making it in music, he played directly into this familiar dynamic.Competition shows such as Making the Band also tapped into a much more widespread belief that fame—or the chance to attain it—justifies any pains that may be suffered as a result. When the series premiered, it joined a growing number of reality-TV programs that drew viewers in by glamorizing the benevolent tyrant chosen to host—and by disguising the soul-crushing takedowns they regularly meted out to contestants under the guise of constructive criticism. Richard’s suit alleges that Combs’s behavior created “an atmosphere of uncertainty and intimidation.” That assessment could have been applied to other reality-TV judges, on shows such as America’s Next Top Model, The Apprentice, The Biggest Loser—and there’s no shortage of clips in which a host excoriates a young participant over something trivial.For viewers who consumed a relentless stream of media that surveilled and antagonized celebrities, perhaps the judges’ treatment of the artistic hopefuls seemed to be part of life in the public eye. Some of these audience attitudes persist today, despite the evidence of how damaging such environments can be for contestants: Former cast members from several modern reality series have filed lawsuits alleging that the production staff on their respective shows subjected them to inhumane working conditions, depriving them of sleep, food, and other basic needs to make them more vulnerable to camera-friendly conflict. Now, 15 years after Making the Band ended, it’s clear how the series—and Combs’s star power—was key to ushering in an era of entertainment predicated on humiliating young people as they pursued their artistic ambitions.Combs’s apparent disdain for the aspiring musicians on his show still pervades multiple spheres of culture, including newer platforms. Audiences who tune in to vocal-competition series may not run major record labels, but they have their own kind of power now: Because algorithm-driven social-media feeds function as de facto audition stages for entertainment-industry hopefuls, individual listeners can change the trajectory of an artist’s career just by proselytizing online. And dedicated fans are not the only ones wielding these newer tools. Stirring up negative sentiment about an artist, especially through baseless mockery, has become its own pastime, rewarded by the thrill of a negative feedback loop. And on modern reality-TV shows, participants often find themselves navigating destructive conditions optimized to extract drama for viewers’ amusement. If there’s anything that Making the Band proves now, it’s that suffering is easy to ignore when an entire industry treats it like a joke.
theatlantic.com
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Two in five Americans pretend to be influencers on vacation (39%), according to new research. A survey of 2,000 social media users found that these respondents would take vlog-style videos, post more than when not on vacation and caption their posts creatively. Most respondents see using social media when traveling as a good thing (58%)...
nypost.com
Tesla’s walking, talking Optimus robots were partly controlled by humans: report
In one video posted to X, a bartending bot at the event told a guest: “Today, I’m assisted by a human. I’m not yet fully autonomous.”
nypost.com
Paul George suffers injury scare in 76ers preseason game
The NBA regular season hasn't even begun and the Philadelphia 76ers are already dealing with major injury concerns.
nypost.com
Teacher who left claw marks on a teen’s back after sex as other students were ‘lookouts’ gets sweetheart sentence
A former Missouri math teacher who pleaded guilty to having sex with a 16-year-old student while other students served as her "lookouts" may only spend about three months behind bars.
nypost.com
Why You Should Eat a Dense Bean Salad Today
We asked health experts what they like about the trendy salads—and how to make a really good one.
time.com
Nicole Kidman and Salma Hayek’s awkward Paris Fashion Week moment explained after ‘silly’ backlash
In a viral clip, the "Perfect Couple" actress appears to push Hayek's hand away while posing for photos with Katy Perry.
nypost.com
The Guardian deletes review of Oct. 7 doc after backlash for complaining film depicts Hamas too negatively
UK Outlet "The Guardian" deleted its review of a Oct. 7 documentary following backlash it earned for stating the film was too harsh on Hamas and Palestinians.
foxnews.com
Georgia judge rules certification of election results is 'mandatory'
With just weeks to go until the presidential election, a Georgia judge has ruled that certification of election results by county officials in the state is "mandatory."
abcnews.go.com
Harris and Trump tied in battleground Michigan, Senate race on razor's edge: AARP poll
A new AARP poll finds that Vice President Kamala Harris and former President Donald Trump are tied in the 2024 battleground state of Michigan, with voters split along generational and gender lines.
foxnews.com
One cop dead, four other people wounded in suspected terrorist attack in Israel
The shootings occurred on Highway 4 near Yavne, with the assailant neutralized by an armed citizen.
nypost.com
Giant pandas have returned to D.C. Meet Bao Li and Qing Bao.
The National Zoo’s two new giant panda, who arrived Tuesday after an 8,000-mile flight from China, will now settle into their new home before going on display.
washingtonpost.com
Guy Gansert Becomes Second ‘Golden Bachelorette’ Contestant To Have Order Of Protection Filed Against Him 
Gansert has addressed the situation, calling it "a very low point in my life."
nypost.com
Maryland grandfather spreads joy with daily "bad dad jokes" on his front yard sign
For the past 1,640 days, Maryland grandfather Tom Schruben has written a "bad dad joke" on a sign in his front yard. He started this tradition during the pandemic to lift his spirits and it has become a community favorite.
cbsnews.com
Trump says 'I don't care when you vote' in new House GOP ad urging voters to turn out early
House Republicans' campaign arm is out with a new digital advertisement reminding voters that the election is 21 days away.
foxnews.com
Taylor Swift and Travis Kelce pack on the PDA at Yankees vs. Guardians game
Travis Kelce took Taylor Swift out to a different kind of ball game! The couple was spotted keeping a low-profile at Game 1 of the American League Championship Series. Despite their attempt to blend in, people couldn’t help but notice their PDA as they were spotted being affectionate with kisses and hand holding. Watch the...
nypost.com
‘Morning Joe’ Rips GOP Gov. Glenn Youngkin for Downplaying Trump’s ‘Fascist’ Threat
MSNBCMSNBC host Joe Scarborough slammed Virginia’s Republican Gov. Glenn Youngkin Tuesday for attempting to downplay Donald Trump’s comments about using the military against his political opponents.The former president spoke in a Fox News interview Sunday about potentially using the National Guard or the military to deal with “the enemy from within”—a group which Trump characterized as “sick people, radical left lunatics”—when asked about his expectations for Election Day. In an interview with CNN the day after, Youngkin insisted Trump wasn’t really saying what he appeared to be saying. CNN’s Jake Tapper pointed out that Trump later specifically named Adam Schiff as one of the “lunatics”—as a congressman, Schiff led the first impeachment trial of Trump. Tapper became visibly frustrated as Youngkin continued to claim Trump was not talking about his political enemies, accusing Tapper of “misinterpreting and misrepresenting” the Republican nominee’s words.Read more at The Daily Beast.
thedailybeast.com
Get 3 months of Audible for just $3 with this limited time deal
Three books for $3? You can't beat this deal.
nypost.com
Goldman Sachs profits surge as dealmaking rebounds on Wall Street
Goldman Sachs reported a 45% surge in quarterly profits on Tuesday, boosted by a rebound in dealmaking that beat analysts' expectations.
nypost.com
Democrats in Congress are planning for the next Jan. 6
Democrats on a low-profile House committee have been meeting and designing a plan against any attempt to interfere with the Electoral College certification on Jan. 6, 2025​.
cbsnews.com
Man Rescued Near Pacific Waters After 67 Days Lost at Sea
Xinhua News Agency/GettyA man whose boat had been missing for more than two months has miraculously been found alive, though the ordeal sadly claimed the life of two of his relatives.Authorities in the Far East region of the Russian Federation announced on Tuesday that they had located a catamaran-style sailing boat in the Sea of Okhotsk, a roughly 610,000-square-mile expanse off Russia’s easternmost coast and north of Japan.Inside officials discovered a 46-year-old man, identified by Russian state media as Mikhail Pichugin, and two bodies, according to CNN. The waters in which the vessel was found are reportedly considered the coldest in East Asia.Read more at The Daily Beast.
thedailybeast.com
‘Live’: Kelly Ripa Calls Out “Habitually Irritable” Mark Consuelos On “National Grouch Day”
"You are the grouchiest!"
nypost.com
Before His Netflix Hit, Tim Robinson Made One of the Best Sitcoms of the Decade
Tim Robinson and Sam Richardson’s brilliant show Detroiters feels ripe for a rediscovery.
slate.com
Trump Leans On Creative Bookkeeping to Keep Up in Cash Race
Donald J. Trump’s official campaign committee has a payroll of fewer than a dozen and has found ways for another account to pick up the tab for his rallies.
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nytimes.com
Jets to acquire Davante Adams in blockbuster trade with Raiders: reports
The New York Jets are set to acquire wide receiver Davante Adams in a blockbuster trade with the Las Vegas Raiders, according to multiple reports on Tuesday.
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foxnews.com
Russian whale watcher rescued after 67 days at sea on inflatable boat, found with brother and nephew’s corpses
" It truly is a miracle," one expert said.
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nypost.com
Alex Wolff Tells Drew Barrymore He Got “Hazed” By A Fraternity To Prepare For His New Movie: “It Was Kind Of A Culture Shock”
Wolff's new movie, The Line, does a deep-dive into the toxic hazing culture at fraternities.
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nypost.com