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Best of The Atlantic
Best of The Atlantic
Columbia Has Resorted to Pedagogy Theater
Columbia University shut down all in-person classes on Monday, and faculty and staff were encouraged to work remotely. “We need a reset,” President Minouche Shafik said, in reference to what she called the “rancor” around pro-Palestinian rallies on campus, as well as the arrest—with her encouragement—of more than 100 student protesters last week. Also on Monday, Columbia’s office of the provost put out guidance saying that “virtual learning options” should be made available to students in all classes on the university’s main campus until the term ends next week. “Safety is our highest priority,” that statement reads.By moving its coursework online, the administration has sent an important set of messages to the public. In the midst of what it says is an emergency, the school asserts that it is still delivering its core service to students. It affirms that universities share the public’s perception that education, per se—as opposed to research, entertainment, community-building, or any of the other elements of the college experience—is central to their mission. And it implies that Columbia is carrying out its duties of oversight and care for students.But those messages don’t quite match up with reality. If the pandemic taught us anything, it’s that “moving classes online” isn’t really possible. A class isn’t just the fact of meeting at a given time, or a teacher imparting information during that meeting, or students’ to receiving and processing such information. A university classroom offers a destination for students on campus, providing an excuse to traverse the quads, backpack on one’s shoulders, realizing a certain image of college life. Once there, the classroom does real work, too. It bounds the space and attention of learning, it creates camaraderie, and it presents opportunities for discourse, flirtation, boredom, and all the other trappings of collegiate fulfillment. Take away the classroom, and what’s left? Often, a limp rehearsal of the act of learning, carried out by awkward or unwilling actors. If the pandemic gave rise to hygiene theater, it also brought us this: pedagogy theater.The pandemic emergency, at least, offered a reasonable excuse for compromise. A plague was on the loose, and avoiding death took precedence over optimizing teaching quality. But now, with COVID-19 restrictions lifted, the technologies that allowed for pedagogy theater remain. The ubiquity of Zoom and related software, along with the universal familiarity they built up during the pandemic, have made it easy for a provost or a teacher to just shut the doors for any given class—or on any given campus—on a whim, for any reason or no reason. If a professor should get sick or need to travel, or if there is a blizzard, meetings can be held on the internet. In 2023, Iowa State University moved classes online after a power-plant fire shut down its air-conditioning.[Read: The unreality of Columbia’s ‘liberated zone’]Columbia’s decision to go virtual because of campus unrest shows the breadth of emergencies that now justify this form of disruption. “Moving classes online” for everyone is a decision that universities can make whenever things go even slightly awry. A pandemic or a deranged gunman could be the cause, as could civil unrest, or just the threat of ice from an anticipated winter storm. Because this decision is portrayed as both temporary and exigent—because Zoom is treated as a fire extinguisher on the wall of every classroom, just in case it’s ever needed—schools are able to maintain their stated faith in the value of matriculating in person. In my experience as a professor who teaches at an elite private university, virtual learning is discouraged under normal circumstances. But as Columbia’s case shows, it might also be used whenever necessary. It’s the best of both worlds for colleges, at least if the goal is to control the stories they tell about themselves.Online classes are supposed to occupy a middle ground. They are almost always worse than meeting in person, and they may be somewhat better than nothing at all. But that in-between space has turned out to be an uncanny valley for education. If online classes really work, then why not use them all the time? If they really don’t, then why bother using them at all? Answers to these questions vary based on who you ask. Accreditors, which enforce educational standards, may require courses to convene for a certain number of hours. Teachers want to stay on track—but also to take a sick day from time to time, without the pressure to keep working via laptop camera. Students want to be in class so that they can get what they came to college for—except when they want to live their lives instead. And now, amid political turmoil, university leaders want to control the flow of people on and off campus—while still pretending to carry on like normal.
theatlantic.com
My Book Had Come Undone
because I’d deemed the book complete,the last pages written, end notes done.Because the pages seemed armoredagainst me. Needful of nothing. Smug.Because a day passed. Because I got a call;a heart had faltered. The person the protagonistwas drawn on: gone. Because it wasmy father. Because was. Because my father is,in the book, alive. Because alive now seems a lie.Death, the missing letter. Because his heartpumps through the pages’ veins, throughtrees felled for their pulp. Because artcan’t match life’s stride, or death’s.Because my book has shorter legs.Because it lags like a video streamedon unstable internet. Because I couldn’tfinish the bowl of chicken soup I’d startedbefore the call. Because my father’s flesh was warmwhen I heated the broth. Because I thoughtof the chicken my father saw as a pet, as a child.Because he learned it wasn’t. Because he ate it,learned, then cried. Because I need to edit.Because death is absent, but death isthe absence that can’t be revised.
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theatlantic.com
The Particular Brutality of Colonial Wars
Even the most well-read World War II enthusiast is likely unaware of one major military operation that happened in 1945. It involved Royal Air Force bombers, 24 Sherman tanks, and 36,000 troops—some of them British, the rest Indian and Nepalese Gurkhas under British command. More than 600 of these soldiers died, including a British brigadier general.Despite the year, the fighting happened after the war ended. It took place in Indonesia. One of the dirty secrets of 1945 is that just as the Allies were speaking loftily of having saved the world from German and Japanese tyranny, they began new battles to regain colonies they had lost in the war: France retook Algeria and Indochina, and the Dutch wanted Indonesia back. With the Netherlands half a world away and devastated by war, the British stepped in to help.Few Anglophones know either Dutch or Indonesian, and that’s likely one reason we know far less about that archipelago’s long and painful history than, say, about India’s ordeals under the Raj. Yet Indonesia is the world’s fourth-most-populous country, and the one with the largest number of Muslim inhabitants. A single island, Java, has more people than France and Britain combined. David Van Reybrouck’s immensely readable new history of the nation, Revolusi: Indonesia and the Birth of the Modern World, fills an important gap.Van Reybrouck is a Dutch-speaking Belgian best known for his Congo: The Epic History of a People, published in 2014. Although his writing is dazzling, some of us who follow events in that country felt he was a mite too gentle in dealing with Belgian colonial rule, especially the forced-labor system that so enriched the colony’s founder, King Leopold II. But he shows no such reticence when it comes to the Dutch in Indonesia.How, he asks, did the once-tiny settlement that today is the immense city of Jakarta “ever become a thriving hub of world trade? The answer was simple: by enslaving people.” Between 1600 and 1900, an estimated 600,000 people were traded by the Dutch in Asia. Some 150,000 slaves came from Bali alone. All of this began under the Dutch East India Company, which, like its British counterpart (they were founded a mere two years apart), had its own army. The company ran the colony for two centuries and was the first corporation anywhere to have tradable stock.The colonial regime brought vast riches to the mother country and much bloodshed to the islands; a single war from 1825 to 1830 cost roughly 200,000 Indonesian lives. Several decades later, slave labor in the archipelago was in some years generating more than half of the total Dutch tax revenue. (Surprisingly, Van Reybrouck does not mention someone who noticed this, Leopold of Belgium. Enviously eyeing these huge profits set the king on a similar path in his new African colony. Forced labor, he declared, was “the only way to civilize and uplift these indolent and corrupt peoples.”) As with many colonial conquests, the resources that first loomed large for the Dutch—spices—were soon eclipsed by others that proved even more lucrative: coffee, tea, tobacco, and sugar. Ultimately, major profits came from feeding an industrializing world’s hunger for coal and, above all, oil.Although many scattered revolts took place throughout the centuries of Dutch rule, a profusion of local languages and the expanse of the islands (stretching a distance as far as from Ireland to Kazakhstan, Van Reybrouck points out) meant that national consciousness was slow in coming. An official independence movement did not begin until 1912—by coincidence the same year that saw the African National Congress born in South Africa. The charismatic orator Sukarno, the man who became the movement’s often-imprisoned leader, had the ability to knit together its nationalist, Communist, and Islamic strands. When the Japanese occupied the islands during World War II, they imprisoned Dutch officials and professed anti-colonial solidarity with the Indonesians, but before long began seizing natural riches and imposing their own forced-labor system. A mere two days after Japan announced its surrender to the Allies but before the Dutch could again take over, Sukarno saw his chance and issued a declaration of independence, the postwar era’s first.Then, in response, came the British invasion, the first round of a four-year colonial war as vicious as any in the 20th century. Heavily armed by the United States, the Dutch battled, in vain, to reestablish control over the sprawling territory. Possibly as many as 200,000 Indonesians died in the conflict, as well as more than 4,600 Dutch soldiers.As in most counter-guerilla wars, captured fighters were routinely tortured to force them to reveal the whereabouts of their comrades. The Dutch soldier Joop Hueting left a chilling memoir, which Van Reybrouck summarizes: “The platitudes in the letters home. ‘Everything still fine here,’ ‘how lovely that Nell has had her baby,’ because why worry them with stories that they, with their crocheted doilies and floral wallpaper and milk bottles on the doorstep, wouldn’t understand … stories about bamboo huts burning so fiercely that the roar of the flames drowns out the screams of the people who lived there, stories about naked fifteen-year-olds writhing on the concrete with electric wires attached to their bodies.”Hueting went public for the first time in a television interview he gave in 1969, two decades after his return from Indonesia, provoking death threats so severe that he and his family sought police protection. For the rest of his life, he collected testimonies from fellow Dutch veterans, but, Van Reybrouck writes, “it is bewildering that shortly before his death, the NIOD, the Dutch Institute for War, Holocaust and Genocide Studies, showed no interest … As a result, the legacy of the post-war Netherlands’ most important whistle-blower is languishing in the attic of a private house in Amsterdam.” No country, including our own, reckons easily with such parts of its past; few Americans learn much about the similarly brutal colonial war we waged in the Philippines from 1899 to 1902.To their credit, some Dutch people were uneasy about the war. Although 120,000 draftees were sent to Indonesia, a remarkable 6,000 refused to board the ships, many of them sentenced to prison as a result. An unknown number of others, foreshadowing our own war resisters during the Vietnam years, concocted medical or psychiatric ailments or quietly slipped out of the country. Among those who did go to Indonesia, at least two—echoing a handful of Black American troops in the Philippines a half century earlier—switched sides.The best-known of them, Poncke Princen, had been jailed in Holland and Germany by the Nazis, then joined the Dutch army after liberation. Sent to Indonesia, he deserted and took up arms with the rebels. He remained after independence, becoming a member of the Indonesian Parliament and an outspoken human-rights advocate. Those activities won him lengthy prison terms under both Sukarno and his successor, Suharto; sadly, postindependence Indonesia saw long periods of repression.Many voices we hear in Revolusi are of people whom Van Reybrouck himself talked with. Another Dutch deserter who went over to the rebels was 90 years old when the author tracked him down, in the Dutch city of Assen. With astounding energy, Van Reybrouck found dozens of other elderly eyewitnesses in huts, apartments, and nursing homes all over the world—in Holland, Indonesia, Japan (veterans of the World War II occupation force), and Nepal (Ghurkas from the British army). And even when all the participants involved in a particular event are now dead, he often manages to find a daughter or grandson with a story to tell. Van Reybrouck has visited just about every place that figures in Indonesia’s history, and evokes them with a narrative zest all too rare among historians. When approached from the air, for example, a pair of islands look “like two emerald-green cufflinks on the sleeve of the Pacific.”That 1945–49 war saw scenes of appalling savagery. One notorious Dutch commander, Raymond Westerling, would have “his men surround a suspicious kampong in the early morning … Anyone who tried to escape … was gunned down … After searching the houses, Westerling addressed the silent crowd and went through his list of suspects … One after the other, the suspects were forced to squat.” If he thought someone had information he wasn’t yielding, Westerling would begin firing bullets.“The first one shot was Regge, a cousin of mine,” a woman told Van Reybrouck. “They shot him six times. In his right foot, his left foot, his right knee, his left knee … It was Westerling himself who shot him. He didn’t say anything. He drank a soft drink, threw the bottle in the air and shot it.” Westerling claimed to have personally killed 563 people. After the war, he ran a secondhand bookstore in Amsterdam, took opera lessons, and ended up as a swimming-pool lifeguard.Many things make colonial wars particularly brutal: the colonizers’ lust for wealth; their fear that their enemies might be anywhere, instead of behind a clearly defined front line; their belief that the colonized people belong to an inferior race. But in the case of the Dutch in Indonesia—as of the French in Algeria, who also practiced torture and murder on a huge scale—was there an additional factor as well?Immediately before its war against Indonesian independence fighters, the Netherlands itself emerged from five years of ruthless German occupation. The country had been plundered. The massive bombing of Rotterdam had leveled the city’s medieval core and left nearly 80,000 people homeless. The occupiers had banned all political parties except a pro-Nazi one. Those suspected of being in the resistance had been jailed and tortured; many of them had been killed. In the winter of 1944–45, the Germans had cut off heating fuel and food for much of the country, and some 20,000 people had starved to death. More than 200,000 Dutch men, women and children had died of causes related to the war, just over half of them Jews who’d perished in the Holocaust. As a percentage of the population, this was the highest death rate of any country in Western Europe. And more than half a million Dutch citizens had been impressed as forced laborers for the Nazis, usually working in war factories that were the targets of Allied bombers.When victims become perpetrators, are they unconsciously taking revenge? Many conflicts, including those raging today—think of Gaza, for instance—have this underlying subtext. The whistleblower soldier Joop Hueting reported a haunting piece of graffiti he saw as Dutch troops advanced in Java, which answered the question definitively: “Don’t do to us what the Germans did to you!”
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theatlantic.com