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The Truth About Immigration and the American Worker

Donald Trump and his allies on the populist right believe they have a compelling argument for why the GOP is the true blue-collar party: Immigration is killing the American worker, and only Trump will put a stop to it. “Kamala Harris’s border invasion is also crushing the jobs and wages of African American workers and Hispanic American workers and also union members,” Trump declared at a recent rally. At other times, he has referred to immigration as “all-out economic warfare” on the working class. It’s a message that the former president repeats in one form or another at just about every one of his public appearances.

The argument carries a certain commonsense logic: Immigration means more workers competing for jobs, which translates to lower wages and employment rates for the native-born. During Tuesday night’s vice-presidential debate, Republican Senator J. D. Vance said that his boss’s proposal to round up and deport millions of undocumented immigrants would “be really good for our workers, who just want to earn a fair wage for doing a good day’s work.”

Mainstream Democrats used to vigorously dispute the notion that immigration hurt native-born workers. No longer. Today, the two major parties are jockeying to convince voters that they are the ones who will truly secure the border. To the extent that liberals still defend immigration, they often do so by arguing that deporting migrants would reduce the labor supply and send prices soaring again—an argument that implicitly accepts the premise that immigrants do in fact depress wages.

This is a tragedy. The effect of immigration on wages is one of the most thoroughly studied topics in empirical economics, and the results are clear: Immigrants do not make native-born workers worse off, and probably make them better off. In many domains, the conventional wisdom among progressives is mistaken, oversimplified, or based on wishful thinking. The economics of immigration is not one of them.

Econ 101 tells us that when the supply of a good, like labor, increases, then the price of that good falls. This is the lens through which economists viewed immigration for much of the 20th century: great for corporations (cheap labor) and consumers (lower prices) but bad for native-born workers. Then a study came along that shattered the consensus.

In 1980, Fidel Castro briefly lifted Cuba’s ban on emigration, leading 125,000 people, most of whom lacked a high-school education, to travel from Mariel Bay to Miami in what became known as the Mariel Boatlift. In a few months, Miami’s workforce expanded by about 25 times as much as the U.S. workforce expands because of immigration in a typical year, creating the perfect conditions for a natural experiment. The economist David Card later realized that if he compared Miami with cities that did not experience the boatlift, he could isolate the effect that immigration had on native-born earning power. If immigrants really did depress wages, then surely the effect would be visible in Miami in the 1980s.

Instead, in a paper published in 1990, Card found that the boatlift had virtually no effect on either the wages or employment prospects of native-born workers in Miami, including those who lacked a college degree. Economists have since used similar natural experiments to study the effect of immigration in countries including Israel and Denmark, arriving at the same conclusion that Card did. (These studies mostly focus on low-skill immigration; high-skill immigration has long been viewed almost universally as economically beneficial.)

[Derek Thompson: Americans are thinking about immigration all wrong]

The simple Econ 101 story turned out to have a blind spot: Immigrants aren’t just workers who compete for jobs; they are also consumers who buy things. They therefore increase not only the supply of labor, which reduces wages, but also the demand for it, which raises them. In the end, the two forces appear to cancel each other out. (The same logic explains why commentators who suggest that immigration is a helpful inflation-fighting tool are probably wrong. I have made a version of this mistake myself.)

Inevitably, not everyone accepted the new consensus. In a paper first circulated in 2015, the Harvard economist George Borjas reanalyzed Card’s data and concluded that even though average wages were indeed unaffected, the wages for natives who lacked a high-school degree—and thus competed most directly with the Marielitos—had fallen as a result of the boatlift. Borjas’s study seemed to back up restrictionist policy with empirical data, and for that reason became a pillar of anti-immigration discourse. In 2017, for example, Stephen Miller cited it when pressed by a New York Times reporter for evidence that immigration hurts American workers.

But Borjas’s debunking of Card, such as it was, has itself been debunked. The data underlying his argument turned out to be extremely suspect. Borjas had excluded women, Hispanic people, and workers who weren’t “prime age” from his analysis, arguing that the remaining group represented the workers most vulnerable to immigrant competition. As the economist Michael Clemens has pointed out, Borjas ended up with an absurdly tiny sample of just 17 workers a year, making it impossible to distinguish a legitimate finding from pure statistical noise. Another study looking at the same data, but for all native-born workers without a high-school degree, found no negative impact on wages. Subsequent natural experiment studies have yielded similar conclusions. “Economic models have long predicted that low-skill immigration would hurt the wages of low-skill workers,” Leah Boustan, an economist at Princeton University, told me. “But that turns out not to be true when we actually look at what happens in the real world.”

On paper, immigrants and natives without a high-school education might look like easily substitutable workers. In reality, they aren’t. Take the restaurant industry. New immigrants may disproportionately get hired as fry cooks, which, in turn, depresses wages for native-born fry cooks. But by lowering costs and generating lots of new demand, those same immigrants enable more restaurants to open that need not just fry cooks but also servers and hosts and bartenders. Native-born workers have an edge at getting those jobs, because, unlike new immigrants, they have the English skills and tacit cultural knowledge required to perform them.

This dynamic helps explain why many efforts to deport immigrants have hurt native-born workers. From 2008 to 2014, the Department of Homeland Security deported about half a million undocumented immigrants through its “Secure Communities” program. Because the initiative was rolled out in different counties at different times, researchers were able to compare how workers fared in places where mass deportation was under way against outcomes for those in as-yet unaffected places. They found that for every 100 migrant workers who were deported, nine fewer jobs existed for natives; native workers’ wages also fell slightly. Other studies of immigration crackdowns throughout American history have reached similar conclusions. When a community loses immigrant workers, the result isn’t higher-paid natives; it’s fewer child-care services provided, fewer meals prepared, and fewer homes built.

Low-skill immigration does have some economic costs. Most studies find that the income of other immigrants takes a hit when a new wave of migrants arrives. Low-skill immigration also tends to slightly exacerbate inequality because it increases demand for college-educated professionals such as doctors, managers, and lawyers, resulting in even larger wage gains for that group. But these complications don’t mean that immigration is crushing the American working class.

Hold on, immigration’s critics say: Natural experiments can only tell you so much. You must instead look at the broad sweep of American history. As the liberal New York Times columnist David Leonhardt has pointed out, the decades in which American workers experienced their fastest income gains—the 1940s, ’50s, and ’60s—occurred when immigration was near historic lows; since the ’70s, immigration has surged while wages for the median worker have stagnated. “The trajectory of American history tells a very clear story,” Oren Cass, the chief economist at American Compass, a conservative think tank, told me. “High levels of immigration are correlated with poor outcomes for workers.”

The problem with relying on history is that correlations also only tell you so much. Some readers will recall that quite a few things have changed since the 1970s; most relevant for our purposes, these include the loosening of trade policy, the weakening of labor unions, and the enormous rise in corporate concentration. All of these trends have been more persuasively linked to the declining fortunes of the working class. Without some evidence of causation, the co-incidence of stagnating wages and rising immigration really does look like just that: a coincidence.

[Michael Podhorzer: The paradox of the American labor movement]

Two data points are instructive here. First, the parts of the country that have received the largest numbers of immigrants in recent decades—Texas, Florida, the D.C.-to-Boston corridor—are those that have experienced the least wage stagnation. Second, since the onset of the coronavirus pandemic, the U.S. has experienced both a huge surge in illegal immigration and perhaps the most significant reduction of wage inequality since the 1940s. That doesn’t mean high levels of immigration caused the spike in wages at the bottom. But that’s exactly the point: Historical trends don’t necessarily imply neat causal relationships.

The other problem is that you can just as easily make the circumstantial case that the natural-experiment literature underestimates the economic benefits of immigration. The aforementioned Denmark study tracked every single individual across the country (something that isn’t possible in the U.S. because of data constraints) over a 20-year period and found that low-skill natives who were most exposed to immigration responded by pursuing higher levels of education and moving to higher-paying occupations. Ultimately they achieved higher earnings than their peers who weren’t exposed to immigration. A study in the U.S. found that immigrants were 80 percent more likely than native-born Americans to start a business, and that the rate of entrepreneurship was just as high for immigrants from low-income countries as those from high-income countries. “Immigrants to the U.S. create so many successful businesses that they ultimately appear to create more jobs as founders than they fill as workers,” Benjamin F. Jones, one of the authors, wrote in The Atlantic last year. Immigrants, he noted, are inherently risk-takers. “We should not be surprised that they are exceptionally entrepreneurial once they arrive.”

I admit to being partial to this view for personal reasons. My grandfather came to the U.S. in the 1960s as an undocumented immigrant from Lebanon, having never finished high school and speaking very little English. Within a few months, he landed a job as a car mechanic at a local gas station, leaving for work each morning before his kids woke up and returning after they were asleep at night. An economic study might find that he helped depress the wages of native-born mechanics, which might have been balanced out by his spending in other areas. What it probably wouldn’t capture is what happened next: He opened up his own station, and then another, and then another, employing dozens of mostly native-born mechanics, attendants, and cashiers. Along the way, he became a darling of his community, bringing a little bit of Arab hospitality to a mostly white suburb of New Jersey. His life was its own kind of natural experiment.

The appeal of restricting immigration has, to put it lightly, never been primarily about economics. Surveys of public opinion generally find that people’s feelings about immigration are driven less by material concerns than they are by cultural anxieties about crime, social norms, and national identity. Anti-immigrant sentiment is much higher among older Americans (many of whom are retired) living in rural areas that contain few immigrants than it is among working-age Americans in immigrant-heavy cities such as New York and Los Angeles.

Even if conservative policy wonks sincerely believe that limiting immigration would help the American worker, the guy at the top of the Republican ticket clearly has other things on his mind. In his debate against Kamala Harris, Trump, who has accused immigrants of “poisoning the blood of our country,” mentioned the supposed economic impact of migration exactly once. He spent much more time portraying undocumented immigrants as a marauding horde of psychopathic murderers “pouring into our country from prisons and jails, from mental institutions and insane asylums.” At one now-infamous moment, he even claimed that immigrants were eating pets in Springfield, Ohio. In Trump’s hands, the economic case against immigration is a fig leaf that barely obscures a much larger and more nakedly bigoted body of work.

[Gilad Edelman: Donald Trump’s theory of everything]

The example of Springfield is a revealing one. In the past few years, thousands of Haitian immigrants—overwhelmingly with legal status—have settled in the town of 58,000. This has led to some problems. Housing prices rose quickly. The health-care and education systems have come under stress. And relations between longtime residents and the new arrivals have at times been contentious, especially after a traffic accident caused by a Haitian immigrant last year resulted in the death of an 11-year-old boy.

But after decades of dwindling population and shrinking job opportunities, Springfield has also experienced a jolt of economic energy. The immigrants have helped auto factories stay in operation, filled shortages at distribution centers, and enabled new restaurants and small businesses to open. Wage growth in the city took off during the migration wave and stayed above 6 percent for two years, though it has since slowed down. And the flip side of strain on the housing, education, and health-care systems is that there are now more jobs available for construction workers, teachers, and nurses to meet that increased demand. “What the companies tell us is that they are very good workers,” Ohio Governor Mike DeWine, a Republican, said in a recent interview, referring to the Haitian immigrants. “They’re very happy to have them there, and frankly, that’s helped the economy.”

For DeWine and other public officials, this is a trade that is well worth making: Immigrants might cause some social tensions, but overall they make the place better off. Others, of course, disagree. According to Gallup, 2024 is the first year in nearly two decades that a majority of the public wants less immigration to the U.S. In the past year alone, the desire to reduce the amount of immigration has jumped by 10 points for Democrats and 15 points for Republicans. No matter who wins in November, we will likely see more restrictive immigration policy in years to come. If that is the will of the voters, so be it. Just don’t expect it to do anything to help the working class.


Read full article on: theatlantic.com
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Want to stay current with Arthur’s writing? Sign up to get an email every time a new column comes out.The 19th-century philosopher Arthur Schopenhauer believed that the truth about life is largely invisible to humans. What we perceive around us is mostly a set of illusions, while reality—the inner essence of the world, or will (Wille, in German), as he conceived it—is generally out of our grasp. Yet he believed in one oracle that could reveal the secret verities: listening to music.Schopenhauer’s theory was that the will is so ineffable that the nonverbal language of music alone could grant access to this apprehension of reality. Music, for Schopenhauer, thus opened up a unique channel of higher consciousness.Although Schopenhauer was an atheist, his conception bears a strong resemblance to the idea held by many thinkers who find in music the language of the Divine. For example, the American Catholic scholar Peter Kreeft wrote in his 1989 book, Three Philosophies of Life, that “God is love, and music is the language of love; therefore, music is the language of God.”I am not an expert in the academic debate about the metaphysics of music, but I do find this notion very suggestive—and it captures for me experiences I can’t access in any other way. I learned to read music at the age of five and spent all of my 20s as a professional classical musician. Like many musicians, I am synesthetic: Different pitches and chords evoke in my brain colors and even smells. These sensory effects make listening to, or playing, a great composition into an experience beyond the greatest fireworks show on Earth. To take in a Bach cantata or a Bruckner symphony is, for me, to glimpse for fleeting moments the majesty of creation and grasp why I exist in the universe.Your experience of music may be a bit more, well, grounded than mine, and you’re thinking, frankly, that I should go get checked out by a neurologist for this issue. Fair enough. But Schopenhauer was onto something: We have plenty of evidence that music truly is one of the greatest ways to understand life more deeply.[Arthur C. Brooks: Schopenhauer’s advice on how to achieve great things]Music has appeared in every human society for which ethnographic evidence exists, according to research by a top scholar at Harvard’s Music Lab. Music is enmeshed with all of the important areas of our experience, from sweet lullabies to sappy love songs to hymns of religious praise. Although styles of music vary greatly around the world, the making and appreciation of music are such ubiquitous parts of human life that it can seem as much a phenomenon of our nature as a product of our culture.Indeed, our brains are built to enjoy music, as scientists showed in a 2018 study conducted through the Berklee Music and Health Institute (part of the Berklee College of Music in Boston). We’re even hardwired to use music to help us heal. For example, when the brains of patients with Parkinson’s disease are stimulated by hearing a rhythmic piece such as a march, their symptoms may diminish and they are able to walk more naturally. Alzheimer’s patients who can’t remember family members typically are nonetheless able to recognize familiar songs. And people suffering from epilepsy can experience a dramatic decrease in seizures when listening to certain kinds of classical music—the so-called Mozart effect.Over the past two decades, neuroscientists have also conducted experiments on the effects of music upon human emotions. For example, one 2006 experiment exposed people to chords that varied in degree of dissonance while scanning the limbic systems of the subjects’ brains, which is where emotions are produced. The paper found that positive emotions generally had an inverse correlation with dissonance. So we might practically deduce that a good way to raise your mood could be to block out the racket of street sounds (sirens, traffic, construction) in Manhattan with headphones delivering your favorite music.The research findings on which genres of music bring the most happiness are inconclusive. One study found—based on characteristics of harmony, structure, and rhythm—that the world’s happiest song is the Beach Boys’ “Good Vibrations.” Another study found that grunge rock—known for its distorted electric guitar and nihilistic lyrics—is especially bad for happiness. Grunge not only raised hostility, sadness, tension, and fatigue for its listening participants, but also lowered caring, relaxation, mental clarity, and vigor. As a native of Seattle, where this genre was born, I found that this explained a thing or two about my misbegotten youth.You might ask why someone would want to listen to miserable music, but obviously we do. You have very likely listened to sad songs after a bad breakup at some point. The function of sad music is not only to soothe you. Scholars also find that when people suffering from negative emotions consume disconsolate music, it helps them understand their feelings and find meaning in them. A sad song can help you feel less alone in your sadness and make sense of it.In general, music amplifies positive and negative emotions most under two circumstances. First, when it’s performed live. British researchers asked participants to listen to classical music in three ways: live, prerecorded, and in an MTV-style video. Using sensors attached to the subjects’ scalps, the scholars detected significantly more brain activity for the in-person performance, indicating that this elicited the most engagement and focus in the listeners. Second, when one listens by oneself. In a 2018 experiment, researchers showed that happy music seems happier and sad music seems sadder when you listen to it alone, as opposed to listening with others.[Read: Finding happiness in angry music]If you want to use music more strategically to heighten your emotional experiences and gain a deeper sense of meaning and self-understanding, here are a few ideas to consider.1. Decide what you want from your music.The research indicates that a trade-off takes place between using music to bond socially and using it to intensify emotions. If you want the former result, listen with friends; if you want the latter outcome, listen by yourself. If you want a mixture of both, try going to a live concert with friends. If you want the richest emotional experience, go to a concert by yourself.2. Follow a recipe.The effects of music depend to a large extent on its underlying ingredients. For example, the music that typically elicits the most positive emotion has a fast tempo (between 140 and 150 beats per minute), features chords that include the seventh tone to create a sense of expectation, or is familiar to you. You could go study at the local conservatory to learn more about these elements, but the shortcut is just to create a catalog of songs you like. Pay attention to how each one makes you feel and write down its characteristics, in your own words; then look for patterns. You can build a personal music library this way based on emotional effect rather than style or artist.3. Learn and grow.Thinking about your music in terms of its effects on you will probably increase your appetite for new genres and help your tastes become more sophisticated. Once you start getting interested in increasing the emotional and cognitive effects of love songs, say, you might want to cultivate an interest in Italian opera. (I’d suggest starting with Giacomo Puccini’s Tosca or La Bohème.) If you like how an electric guitar shredding sick riffs stimulates your limbic system, try taking that experience to the next level with a flamenco virtuoso such as Paco de Lucía.4. Play it yourself.Among professional and amateur musicians, opinions differ about whether emotional experiences and life understanding are deeper when playing music as opposed to merely listening to it. Personally, I find listening better, but this may be influenced by having played in symphony orchestras under some of the world’s most tyrannical conductors. In fact, many musicians (including amateurs) find a kind of ecstasy in playing. One 2020 study looked at the well-being effects of playing music and found them to be significant and positive. Take a few lessons on your favorite instrument and see for yourself. I should note, however, that the researchers on that study included a comparison group of knitters—and they derived even more happiness than the musicians. Perhaps the ideal formula for bliss is to listen to music while knitting.[Arthur C. Brooks: Here’s 10,000 hours. Don’t spend it all in one place.]Living long before the era of recorded music, Schopenhauer had to get his transcendent musical experiences by going to concerts in Frankfurt, as well as playing his flute in his apartment, which he did for an hour a day. By the end of his life, he dedicated his attention almost entirely to just one composer, the Italian Gioachino Rossini, who was a contemporary (they were born four years apart). When he spoke of Rossini’s music, Schopenhauer is said to have rolled his eyes up toward heaven.If you do the work, you too can make music a part of your life that goes beyond a pleasant background and becomes a lifelong journey into higher levels of consciousness and self-awareness. In short: Find your Rossini.
theatlantic.com
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